‘Clayface’ Tops the Global Box Office as ‘Resident Evil’ Hits $400 Million

DC’s horror spinoff reached $83 million worldwide, and Sony’s zombie reboot became the biggest Resident Evil movie ever.

Official Clayface key art

Courtesy of Warner Bros. Pictures and DC Studios

The Lowdown

Two horror films owned Halloween weekend around the world. Clayface was the No. 1 movie globally, and Zach Cregger’s Resident Evil crossed $400 million to become the biggest film in the franchise’s 24-year history (Deadline; Variety).

Key Takeaways

  • Clayface made $22.8 million worldwide over the weekend, $10.4 million in the US and Canada and $12.4 million overseas, for an $83 million global total on a $44 million budget (Deadline; IndieWire).
  • At home it finished a close No. 2 behind A24’s You Can See Everything, which took first place for the first time in its third weekend with $10.6 million (Deadline (domestic); IndieWire).
  • Resident Evil added $10 million worldwide in its seventh weekend and reached $400 million: about $157.4 million domestic and $242.6 million international (Variety; Deadline; Box Office Mojo).
  • That beats 2016’s Resident Evil: The Final Chapter ($312 million) as the franchise high, and tops Cregger’s Weapons ($270 million) as his biggest film (Variety).

The Story

Clayface wins the world, not quite the US

DC Studios’ Clayface opened Oct. 23 to $24 million and held up well in its second weekend, falling to $10.4 million domestically. It actually won Halloween day itself with $4.2 million, but You Can See Everything edged it over the full three days (Deadline (domestic); IndieWire). PCP covered the opening in ‘Clayface’ Oozes to No. 1 With $24 Million.

Overseas, the film added $12.4 million for a $38.9 million international total. Its worldwide gross of $83 million is now almost double its reported $44 million production budget (Deadline).

You Can See Everything now stands at $63.9 million domestically after three weekends (IndieWire).

Resident Evil joins the horror elite

Sony’s reboot opened in September to a series-best $60 million domestically and $108 million globally, and it stayed a draw through October (Variety; Box Office Mojo). Its top markets are China ($71.4 million), the U.K. ($19.4 million), Mexico ($12.7 million) and Japan ($12.7 million) (Deadline).

Deadline notes the film is now ahead of Sinners ($371.6 million) and The Nun ($366 million). It is $600,000 short of A24’s biggest movie, Backrooms ($400.6 million), and about $30 million behind The Exorcist ($430 million) (Deadline).

Sony made the film for $75 million, according to Variety, so it will turn a healthy profit. It stars Austin Abrams as a medical courier fighting through an outbreak in Raccoon City (Variety). Our opening-weekend story is Zach Cregger’s Resident Evil Opens to $60 Million.

The Background

Cregger’s earlier films were Barbarian (2022), which made $46 million worldwide, and Weapons (2025), which made $270 million (Variety). The last attempt to reboot the series, 2021’s Resident Evil: Welcome to Raccoon City, made $42 million worldwide (Variety).